2025
Reut Odinak, “Womb for Rent: The Politics of Surrogacy, Reproduction, and Motherhood on Television” (Deborah Jaramillo)
贝琪·沃尔特斯, “Oscar’s New Rules: Industrial Shifts, Cultural Controversies, and the Changing Status of the Academy Awards in the 21st Century” (Deborah Jaramillo)
2024
艾米丽Palombella, “Precious Speculation: Developing American Gem Extraction Across the Long Nineteenth Century” (Brooke Blower)
朱莉娅•卡罗尔, “The Protestant Sanctioning of Slavery in the Anglo-American South: George Whitefield, The Huntingdon Connexion, and Black Bethesdans, 1739-1791” (Joseph Rezek)
恩典麦高文, “青铜雕刻的维纳斯”：非裔美国女作家和古典美神话”（安妮塔·帕特森）
凯莉·瑞妮·瑞德出局, “Not made by hands, built by memory and devotion”: Tiffany’s Confederate Memorial Windows” (William Moore)
玛丽娜井《鲸鱼造人：性别与美国捕鲸艺术，1814-1861（罗斯·巴雷特）
2023
凯瑟琳 埃文斯, “‘I am Going to be a Veteran of this War:’ American Women’s Explorations of Domestic Life on the Western Front” (William Huntting Howell)
梅根LeBarron, “Heartland Cosmopolitanism: The Midwest and Literary Modernism in the Work of Willa Cather and Sinclair Lewis” (John T. Matthews)
阿斯特丽德Tvetenstrand, “Buying a View: American Landscape Painting and Gilded Age Vacation Culture, 1870-1910” (Ross Barrett)
肖恩的情况下, “To Balance the World: The Development of the United States’ National Interest, 1919-1969” (Bruce Schulman)
玛德琳·韦伯斯特, “Race and Reuse: Black Historic Preservation Efforts in Boston, 1876-1976” (Daniel Abramson)
梅根Hermida 陆, “Amateur Travel Films of the American Pacific, 1923-1975″ (Roy Grundmann)
阿莉莎 Kreikemeier, “Aerial Empire: Contested Sovereignties and the American West” (Sarah Phillips)
丹•DeFraia “State Work: A History of the American Reporter and Journalistic Independence” (Bruce Schulman)
2022
弗兰基Vanaria, “The Global Screen: Intercultural Dialogue and Community in the Filmmaking of Alfonso Cuarón, Guillermo del Toro, and Alejandro G. Iñárritu” (Roy Grundmann)
雷切尔柯比, “Consuming the South: Representations of Taste, Place, and Agriculture” (Ross Barrett)
克里斯托弗•Stokum “A Working Dress: American Intellectuals and Manual Labor, 1800-1860” (Jon Roberts)
Christine D’Auria: “黑名单之前：好莱坞编剧的小说和电影作品” (苏珊Mizruchi)
萨曼莎Pickette: “Bridging the JAP: The Female-Driven Reconception of the Young Jewish Woman in American Popular Culture during the 1970s” (Ingrid Anderson)
将Edmonstone: “Plantation America: the US South and the Caribbean in the Literary Culture of Empire, 1898-1959” (Louis Chude-Sokei)
2021
杰西卡·塞缪尔： “From Virgin Land to Virgin Islands: Conserving ‘America’s Paradise’” (Julian Go)
亚伦seppo: “Revitalizing Forests: Multiple Management and the Evolving Landscapes of Massachusetts’s State Forests and Parks, 1891-1941” (Keith Morgan)
玛丽亚·古纳: “”…Has Ever Been the Appropriate Occupation of Woman”: Crafting Femininity in American Women’s Decorative Needlework, 1820 to 1920″ (Ross Barrett)
艾玛•托马斯: “Art Against Docility Visual Culture and Imperialism in Late Nineteenth-Century Hawai’i” (William Moore)
2020
P.J. Carlino: “Docile by Design: Commercial Furniture and the Education of American Bodies 1840-1920” (William Moore)
塞缪尔·帕尔弗雷曼： “The Landscape of Modern Mormonism: Understanding the Church of Jesus Christ of Latter-Day Saints Through it’s Twentieth-Century Architecture” (William Moore)
凯特来吧: “‘To Try the Speed’: Adventures in the Development of Massachusetts Railroads, 1826-1850” (Sarah Phillips)