苔丝狄蒙娜，一个澳门威尼斯人注册手帕的戏剧
更像这样苔丝狄蒙娜，一个澳门威尼斯人注册手帕的戏剧
April 16 – 19, 2025
琼和埃德加·布斯剧院
D爱丝狄蒙娜，一个澳门威尼斯人注册手帕的戏, written by Pulitzer Prize-winner Paula Vogel, was directed by Grant Sorenson (CFA’25) and ran from April 16 – 19, 2025 in 波士顿大学’s 琼和埃德加·布斯剧院. As the wrongly accused and suffering wife of Shakespeare’s 《奥赛罗》, 苔丝狄蒙娜 has long been viewed as the “victim of circumstance.” 但正如沃格尔在她对莎士比亚戏剧的喜剧式解构中所展示的那样，苔丝狄蒙娜远不是我们都知道的那个颤抖的naïf。
On stage after 苔丝狄蒙娜 in Booth from April 25 – 27, was 伊米莉亚 by Morgan Lloyd Malcolm and directed by Taylor Stark (CFA’25). 这是对一位杰出女性生活的生动诙谐的再现。 四百年前，艾米莉亚·巴萨诺希望她的声音能被听到。 它不是。 她会是莎士比亚十四行诗中的“黑暗女士”吗？ 她自己的诗呢？ 为什么她的故事从历史中抹去了？ 在马尔科姆这部震撼人心的戏剧中，艾米莉亚和她的姐妹们带着激情、愤怒、欢笑和歌声跨越了几个世纪。
“We are thinking of these two pieces less in repertory and more in conversation with each other since they run back-to-back rather than alternating performances,” says Sorenson, the director of 苔丝狄蒙娜. “这两部剧被选中一起制作是因为它们有着共同的主题和内容，但它们在声音和叙事上也完全是独一无二的。 最终，这两部戏剧都以各自的方式表达了自己的观点，把它们放在一起，看看它们在哪里重叠，在哪里不同，这真的很令人兴奋。”
It has been a really fulfilling process working alongside Taylor and her team for 伊米莉亚 while I have been developing 苔丝狄蒙娜 with my team; we have had to engage with the plays on their own terms but also as a package and that has made both of us really consider the 如何 and the 为什么 of doing these plays. 为什么我们现在要讲述这些故事，我们如何以最能引起共鸣的方式讲述它们？ 这两部戏剧都是澳门威尼斯人注册在压迫时期为自由无畏的言论而斗争。 现在比以往任何时候都更重要的是，我们生产和消费的戏剧可以作为澳门威尼斯人注册行动的号召。
程序
翻翻节目单，了解更多澳门威尼斯人注册制作的信息。
戏剧学院 presents 苔丝狄蒙娜，澳门威尼斯人注册手帕和爱米利娅的戏 in repertory at Booth 剧院
Produced in repertory, 苔丝狄蒙娜 retells Shakespeare’s 《奥赛罗》 from the perspective of the play’s tragic heroine; and 伊米莉亚 seeks to resurface their erased story from history.
忘记“Barbenheimer。” 试着“Desdemilia。”
“We’re trying to find more ways of making connections between the pieces that we do,” says 克里斯汀•Greenidge, a CFA associate professor and director of the 戏剧学院. “我们正在帮助观众和学生进行这样的对话。”
信息和信用
Katie Nelson摄影
